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For this plugin, the 1980s hardware effect UI style works well, reminding the user of good old sci-fi movies.
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UI: With a limited but useful set of knobs and sliders, Blackhole is inspiring and fun to use, though quirky parameter naming means it is less usable than necessary. Sonically, the reverb yields mixed results, but on piano it’s beautiful: lush and “expensive”. What you find within the plugin is a collection of features designed to make for long-lasting reverbs, with or without a touch of quirky effects added. Sound: Blackhole wasn’t designed to be your everyday reverb (though Eventide surely has them look at SP2016 for vocals, for example, with its useful proximity effect). A feature I appreciate is the ability to freeze the reverb, meaning one can have infinite reverb tails (which can then be altered creatively using other effect units). Not many days ago, Eventide won the TEC Award for its phone/touchpad version of Blackhole, so if that interests you, be sure to check it out.įeatures: Blackhole is a cool concept, and as typical for this genre, it comes with a few more or less unique parameters, such as “gravity” which reverses slices of the reverb. The price tag may seem astronomical, but in reality, Eventide often discounts their products heavily, so I regard Blackhole as a product priced similarly to Frostbite 2 and Spaced Out. This is a lovely product, and as its name reveals, it’s perfect for generating huge spaces. Don’t worry – there will be one! Eventide Blackhole Still, all of the four units can also be used in an everyday context, and given that quality reverbs can be power-hungry, performance is a major topic.įinal words before takeoff: A shootout isn’t truly a shootout unless there’s a declared winner. This might be a less important matter for a space-sound plugin though, as it’s often used sparingly (say, for a distant-sounding vocal or an atmospheric pad).
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Let’s just say that for the four VST effects in this shootout, an understanding of astronomy is less important than the quest for – erm – stellar sound. As they put it on the Alien poster: “In space, no one can hear you scream.” Without a fluid such as air, sound waves cannot travel. I’m the first to admit that, physically speaking, this “space” label is a huge misconception. The last few years have seen a surge in affordable colossal VST reverbs, paired up with delays and filters to create space-like effects.
Valhalla vintage verb vs free#
Will the winner be the TEC Award(ish) laureate Blackhole? Or maybe SuperMassive, free VST effect of the year at BPB in 2020? Or why not the cool Frostbite 2, a bit of an alien perhaps, but favorably reviewed on BPB a year ago? Or the hot and good-looking newcomer Spaced Out? Read on to find out! Prepare to commence the astronomical reverb effects shootout: we are comparing Eventide Blackhole, BABY Audio Spaced Out, Valhalla Supermassive, and AudioThing Frostbite.Īre you in the market for a new reverb plugin? This shootout looks deep into four hailed reverb/delay units.